Artichoke Wallpaper
First created in 1898 as a multicoloured wallpaper, Artichoke returns in a dramatic and elegant monotone interpretation.

Bachelors Button Wallpaper
Dramatic swirling leaves, painted in the style of a medieval fresco, are reimagined with modern vibrancy in this striking wallpaper.

Bamboo Wallpaper
Adapted for wallpaper from an original fabric design by E. W. Godwin in 1872, Bamboo reflects the designer’s belief in beautifying the home. Highly influenced by Japanese design and known for his use of bamboo motifs, Godwin was praised by Oscar Wilde as “one of the most artistic spirits of this century in England.” Shown here in the Sunflower colourway.

Bird Wallpaper
Based on an 1878 tapestry by William Morris, Bird was selected by the designer for his own drawing room at Kelmscott House. Shown in the Boughs Green colourway.

Bird & Pomegranate Wallpaper
Designed in 1926, Bird & Pomegranate is one of the last block-printed wallpapers produced by Morris & Co., depicting birds among foliage and pomegranate fruit.

Blackthorn Wallpaper
Blackthorn is a striking statement wallpaper, especially suited to smaller spaces, with vivid colours set against a rich, dark ground.

Borage Wallpaper
At the historic home of the renowned typographer and close friend of William Morris, Walker adhered closely to Morris’s design ideals, employing Borage as a furnishing fabric in his drawing room.

Bower Wallpaper
Registered as a William Morris pattern in 1877, Bower takes its name from a pleasant, shady garden retreat and presents a richly detailed world of foliage and flowers brimming with life.

Bramble Wallpaper
This design celebrates an exuberant blackberry briar, laden with ripe berries and scattered with white blossoms.

Brophy Trellis Wallpaper
Drawn from the archive, Brophy Trellis recreates a historic trellis structure, overlaid with flowers and leaves from an authentic design by May Morris, resulting in a versatile pattern that pairs effortlessly with other Morris & Co. designs.

Bullerswood Wallpaper
Inspired by a hand-woven carpet from Merton Abbey, Bullerswood brings the intricate detail of textile design to wallpaper.

Campanula Wallpaper
Produced by Alan Francis Vigers in 1900 and printed by Jeffrey & Co., a manufacturer renowned for its respect for traditional craft, Campanula features a gloriously flat design of densely arranged, vibrant flowers. Its impact is heightened by a rich, intensified colour palette.

Chamomile Wallpaper
Derived from an incomplete sketch thought to be an early embroidery study, Chamomile is attributed to William Morris. The Morris & Co. studio transformed the original artwork into a complete all-over repeat, retaining Morris’s delicate stitch markings to preserve the design’s original charm and authenticity. Chamomile is rotary printed.

Chrysanthemum Wallpaper
Inspired by the embossed and gilded Chrysanthemum wallpaper of the 1880s, this design features metallic outlines brought to life with surflex printing.

Compton Wallpaper
Rediscovered in the Morris & Co. archive, Compton instantly captivated Ben. He has recoloured and updated this iconic print, introducing cheerful daffodil yellows alongside vibrant pops of indigo blue, poppy red, and sunset orange.

Cornflower Wallpaper
Cornflower, designed by John Henry Dearle, features his signature vine-like style with central floral motifs set against a dotted ground. A note in the original archive—“Will something like this do / for the suggested staircase paper / a la vine tapestry? / H.D.”—reflects the creative dialogue that inspires this collection. Celebrating tulips, acanthus, daisies, and cornflowers, the design is surflex printed for wallpaper and shown here in the Madder/Forest colourway.

Daisy Wallpaper
The first wallpaper produced by Morris & Co., Daisy was inspired by medieval illustrations and grew from Morris’s own embroidered daisy motifs at Red House.

Double Bough Wallpaper
Taken from the archive, Double Boughs showcases scrolling acanthus leaves and abundant blooms. Beaded details catch the light, adding a delicate shimmer to this painterly Morris & Co. design.

Elmcote Wallpaper
Elmcote, a brooding 1900 design by J.H. Dearle, showcases seedheads and miniature flowers entwined with swirling foliage in the designer’s distinctive style.

Emery's Willow Wallpaper
Based on an 1878 tapestry by William Morris, Bird was the design he selected to decorate his drawing room at Kelmscott House.

Etched Scrolling Tulip Wallpaper
Drawing on the meandering ogee pattern of tulips and acanthus leaves from Scrolling Tulip, Etched Scrolling Tulip preserves the delicate pencil lines of the original artwork. These subtle, unfinished marks add depth and movement, while the added border nods to the design’s rug origins.

Fruit Wallpaper
Originally called Pomegranate, Fruit is one of William Morris’s earliest wallpaper designs, first created in 1864.

Glade Wallpaper
William Morris’s first wallpaper design, Glade, celebrates the beauty of nature with delicately stylized floral motifs—a true botanist’s delight.

Golden Lily Wallpaper
In Golden Lily (1899), a bold diagonal composition lends structure to the gracefully entwining lily stems and tendrils.

Helena Wallpaper
Designed in 1891 as a woven jacquard, J.H. Dearle’s Helena draws on his admiration for the intricate textiles of Persia and Turkey. The pattern combines artichoke flowers with acanthus leaves and fritillaries in a seamlessly detailed design.

Honeysuckle Wallpaper
Designed by May Morris in 1883, Honeysuckle features a naturalistic display of rambling flowers and entwining leaves. Though celebrated for her embroidery, Morris’s youngest daughter also contributed several wallpaper designs.

Honeysuckle & Tulip Wallpaper
An early fabric design from 1876, this pattern showcases entwined foliage and flowers in a beautifully mirrored repeat.

Hyacinth Wallpaper
Full of vibrant colour and flower-power energy, Hyacinth defies its delicate name. Sanderson’s 1911 design is reinterpreted with intricate detail, resulting in a bold and unconventional statement wallpaper.

Indian Wallpaper
A classic two-colour block-printed wallpaper, originally created by Morris & Co.

Iris & Rose Wallpaper
Iris & Rose preserves the bold shield motif of the original design, featuring irises within and beyond the shield and roses across the ground. Vine leaves and dotted detailing enhance the pattern, adding movement and charm. Surflex printed for wallpaper.

Jasmine Wallpaper
Designed by William Morris in 1872, Jasmine combines a delicate background of hawthorn leaves and blossoms with a graceful, meandering jasmine trail.

Laceflower Wallpaper
From circa 1895, C.F.A. Voysey’s Laceflower shows his signature birds amidst stems and flowerheads swaying as if in a breeze. The pattern’s sense of movement is highlighted by simple, richly saturated colours.

Larkspur Wallpaper
Originally printed in 1872 as a monotone wallpaper, Larkspur was reworked in 1875 using twelve wood blocks, creating a design with enhanced depth and a richer, more vibrant palette.

Leicester Wallpaper
Designed in 1912 as a block-printed wallpaper, Leicester recalls the romantic allure of the medieval past that inspired Morris.

Lemon Tree Wallpaper
Drawing inspiration from the lemons in Morris’s beloved Fruit wallpaper, Lemon Trees uses a chalky white print to accentuate trailing branches and blossoms, resulting in a serene and refreshing design.

Lent Lily Wallpaper
Lent Lily, originally sketched and coloured for wallpaper, has been carefully refined by the Morris & Co. design team. Stylised tulips and swirling acanthus leaves frame miniature wild daffodils, giving the design its name. Drawn from a rare archival watercolour, the pattern preserves the original hand-drawn movement through a considered printing approach.

Mallow Wallpaper
Mallows is a small-scale, all-over repeat of hibiscus flowers, inspired by the walls of Standen House in Sussex, perfect for covering all four walls.

Marigold Wallpaper
Marigold, first created in 1875, is a highly adaptable design, equally suited to any room in the home.

Mary Isobel Wallpaper
Adapted from an 1890s embroidery by J.H. Dearle, Mary Isobel showcases elegantly scrolling acanthus leaves and delicate flowers.

Meadow Sweet Wallpaper
Meadow Sweet, designed in 1904, combines whimsical charm with the formal symmetry of plant motifs typical of the Arts & Crafts style.

Middlemore Wallpaper
Inspired by a quilt embroidered by May Morris circa 1889, this whimsical Morris & Co. wallpaper features finely drawn animals in a playful, fantastical arrangement, celebrating creatures great and small.

Monkshood Wallpaper
Alan Francis Vigers’s 1901 design Monkshood is lively and whimsical, yet carries a subtlely sinister note. Named for its monk-like flower and also called wolfsbane for its historical use as a poison, the plant is depicted with Vigers’s characteristic charm. Shown here in the Cobalt/Goblin Green colourway.

Montreal Wallpaper
Featuring Persian-inspired flowers entwined in a lush, overgrown botanical trail.

Norbury Wallpaper
Norbury, named for Norbury Brook, a tributary of the River Wandle, reflects the river’s flow in its ogee-shaped design. Originally a woven ecclesiastical hanging, it features a floral border and leafy damask pattern. Adapted for wallpaper, a subtle linen slub adds texture and depth, with a matching fabric available in the Handcrafted book.

Oak & Blossom Wallpaper
Oak & Blossom, initially conceived for stained glass—possibly by Duncan Dearle, J.H. Dearle’s son—has been refined and repainted to retain its stained-glass references. A double stripe supports an elegant arrangement of blossoms, oak leaves, and acorns, with block-printed texture adding depth. Printed digitally as wallpaper, the design is also available as a coordinating fabric and warp-printed weave in the Handcrafted book.

Owen Jones Wallpaper
Designed by Victorian architect and ornament expert Owen Jones, this wallpaper features a simple fleur-de-lys, a signature motif first seen in the Morris & Co. Volume III collection. Its classic geometric trellis offers a refined backdrop for Morris prints and weaves.

Peony Trellis Wallpaper
Once intended as a border, the design has been transformed into a continuous all-over stripe, where a climbing trellis and stylised florals form a gentle ogee pattern. Surface-printed for wallpaper.

Persian Tulip Wallpaper
Persian Tulip, originally created as a textile, showcases elegant teardrop motifs inspired by the Persian designs admired by William Morris and J.H. Dearle. A diagonal layout frames tulip heads within a chevron ribbon, while tonal shades and digital printing preserve the painterly movement of the original archive design. A coordinating fabric is included in the Handcrafted book.

Pimpernel Wallpaper
Pimpernel, designed by William Morris in 1876 and used in his Kelmscott House dining room, is presented here in a rich green colourway, adding elegance and a natural connection to any space.

Pink & Rose Wallpaper
Pink & Rose, a fresh take on Morris’s 1890 design, showcases a flowing arrangement of roses and flowering carnations in a graceful, intertwining pattern.

Poppy Wallpaper
Perfect for bringing Morris & Co. into the home, this elegant wallpaper is printed from original blocks and has become a firm favourite among our designs.

Pure Acorn Wallpaper
Pure Acorn, first designed in 1879, is a charming monotone wallpaper featuring a simplified yet elegant representation of acorn branches, printed from the original Morris & Co. hand blocks.

Pure Bachelors Button Wallpaper
Rendered in a soft, neutral palette, this striking design brings delicate, intricate detail to any space.

Pure Brer Rabbit Wallpaper
Reproduced to allow the use of grit and mica printing techniques, Pure Brer Rabbit brings texture and relief to this classic two-colour design.

Pure Lodden Wallpaper
This large-scale, modern version of the original Morris fabric was produced using screen printing, with inks and colours carefully blended by hand.

Pure Marigold Wallpaper
This repainted version of Marigold honours the original serpentine trailing repeat, with editing, rescaling, and repainting that open up the motifs and ground for a more refined composition.

Pure Net Ceiling Wallpaper
One of five ceiling papers by Morris & Co., the original design features cornice work and is now reproduced for the first time using machine printing.

Pure Pimpernel Wallpaper
Pure Pimpernel preserves the detail and rhythm of the original Morris design while creating a completely new look. The pattern has been enlarged in scale and repainted in soft watercolour tones on a textured ground, evoking the appearance of a mural on lime plaster.

Pure Poppy Wallpaper
Pure Poppy, designed in 1881, remains a favourite hand-printed Morris & Co. wallpaper. Created from the original blocks, its beauty lies in its simplicity.

Pure Scroll Wallpaper
This pared-back reinterpretation of the c.1868 Diaper wallpaper removes the daisy motif and refines the scrolling leaves, creating a smart, contemporary design.

Pure Strawberry Thief Wallpaper
Designed by William Morris in 1883 as a fabric, this pattern takes cues from Morris & Co. archive wallpapers and is transformed into a contemporary wallcovering with a textured flock effect.

Pure Sunflower Wallpaper
A bold single-colour design, Pure Sunflower is printed onto a linear paper and scaled up for a fresh, modern feel.

Pure Thistle Wallpaper
Echoing the neo-Gothic inspiration of early Morris & Co., this design features large, symmetrical flowerheads set against gracefully scrolling acanthus leaves.

Pure Trellis Wallpaper
Redrawn and refined from the 1875 Indian Diaper block print, this design features a gently worn, irregular texture that reflects the natural variations of hand-block printing.

Pure Willow Bough Wallpaper
As part of the Pure Morris collection, Willow Bough has been pared back and repainted in three colours, creating a refined and elegant wallpaper.

Rambling Rose Wallpaper
Celebrating the English rose, Rambling Rose climbs and twists in a thorned, labyrinthine pattern, reflecting its timeless associations with love and purity.

Scrolling Tulip Wallpaper
Originally designed for a carpet, this pattern has been refined to retain its distinctive shape. Tulip heads and acanthus leaves interlace in a rhythmic, meandering design, brought to life on walls through surflex printing, which adds depth and subtle movement.

Seasons By May Wallpaper
Reimagined as wallpaper, May Morris’s Seasons combines parakeets with stylised roses, tulips, and twisting foliage set against a mirrored trellis.

Simply Severn Wallpaper
Originally printed at Morris’s Merton Abbey workshop in South London, Severne is slightly larger than its fabric counterpart, with a graceful damask of acanthus leaves surrounding a central flowerhead.

Spring Thicket Wallpaper
Designed in 1894 as Morris’s last wallpaper pattern, Spring Thicket is a brooding, enigmatic design, with foliage and tulip heads that seem to rise from the surface. Presented here in the Fruit Punch colourway.

St James Ceiling Wallpaper
Originally designed by William Morris in 1881 for the Grand Staircase at St James’s Palace, this multi-directional wallpaper is surface-printed with a distinctive opaque, chalky finish.

Strawberry Thief Wallpaper
Originally designed by Morris in 1883, Strawberry Thief—his most popular fabric design and the first indigo discharge-printed cotton at Merton Abbey—is now recreated as wallpaper. The vibrant red and green colourway adds a natural, lively touch to any space.

Sunflower Wallpaper
Originally designed by William Morris in 1879, this bold pattern has been reinterpreted and recoloured for a fresh, contemporary look.

The Brook Wallpaper
Drawing inspiration from J.H. Dearle’s The Brook Tapestry and the legendary Holy Grail tapestries.

The Savaric Wallpaper
Designed in 1896, The Savaric by C.F.A. Voysey blends his architectural and decorative training, with flocks of birds gracing tree canopies and showcasing the signature bird motif for which Voysey is renowned.

Wallflower Wallpaper
Inspired by the drawing room wallpaper of Sir Emery Walker, Wallflower celebrates the home of Morris’s esteemed friend and collaborator.

Willow Wallpaper
First produced in 1874, this simple all-over wallpaper is among Morris’s most recognisable designs, predating the elaborate Willow Boughs by thirteen years.
